Otaku Corner: Devil May Cry Ep. 3 & 4

Devil May Cry Ep. 3 & 4 ratchet action, manipulation

Welcome back to another edition of Otaku Corner! As GI gets ready for Hollow’s Eve ’25, I thought that this would be the perfect time to return to Netflix’s animated adaptation of “Devil May Cry,” which was developed by Adi Shakar. I have previously covered episodes 1 and 2, which ended with an explosive bang leading to future episodes. Episodes 3 and 4 pick up with an unknown conspiracy between humans and the underworld brewing and both sides having plans for Dante and his half of the necklace.
Episode 3 Begins with a flash back of Mary and her parents narrowly escaping a demon attack in the New York City subway, leading her father to take matters in his own hands after being ridiculed by police and his fellow academics. In the present day, Dante and Enzo are being held by DARKCOM units and are taken to DARKCOM’s headquarters for further questioning. As Dante is being questioned by Barnes, the White Rabbit and his enforcers arrive, ambushing the DARKCOM convoy and turning the freeway into a battle royale with nothing but destruction as a result. Elsewhere, Anders is revealed as the double agent for the White Rabbit and takes Dante’s amulet while Dr. Fisher is analyzing it. Anders states the reason for his betrayal to DARKCOM: If he gives the amulet to the White Rabbit, his family would not be harmed.
While DARKCOM forces battle with Echidna, Cavaliere, Plasma, Agni and Rudra, the White Rabbit finds Anders and Fisher, takes the amulet from Anders and joins them thinking that it’s all that would be needed to open Sparta’s seal on the underworld. Fisher tells the White Rabbit that something else would be needed to break the seal and attempts to kill the Rabbit by using a grenade. The Rabbit deflects the grenade, killing Fisher and sparing Anders’ life. The Rabbit adds more mayhem by capturing Enzo while Dante attempts to help the DARKCOM team and pursues the Rabbit. Unfortunately, Dante’s neck bomb, implanted by Lady goes off, allowing the Rabbit to capture Dante and continue with his plans uninterrupted.
Episode 4 picks up with Lady’s team regrouped picking up the Rabbit’s trail leading to his hideout which houses other demons who are unaware of his true plans. While Lady and her team investigate, Dante and Enzo along with Baines and his staff are held hostage on Air Force 2 by Agni and Rudra. Baines continue his attempts to lure Dante into working for him but is interrupted by the Rabbit who continues to state to Dante that he has a lineage to Sparta, condemning him for betraying demons. Dante still doubts his connection to Sparta, forcing the Rabbit to have Agni and Rudra kill the other hostages to trigger Dante.
Meanwhile, Lady and her team – backed up by other DARKCOM agents – storm the Rabbit’s hideout only to fall into a deadly trap of which Lady is the only survivor. While being pursued by Echidna Cavaliere and Plasma, Lady fights their attempts to capture her but is temporarily sheltered by an innocent demon family who are fearful of the Rabbit’s retaliation. Lady survives and evades the Rabbit’s forces until she reaches the command center and faces Plasma who posed as a DARKCOM agent. At the same time, Dante unknowingly activates his “Devil Trigger” and battles Agni in a mile-high battle of which he is victorious. Rudra, shocked at the loss of his brother, ends the episode by blowing up Air Force 2, sending Dante and everyone to a questionable climax.
Episodes 3 and 4 were absolute fire. With these two episodes, we got a short but insightful story about Lady’s childhood in how she dreamt of going after forces of evil that turned into an obsession at times when she joined DARKCOM. I also appreciated that these two episodes briefly explained DMC3 without going into too much detail. Of note, Shakar and Capcom did throw in Easter eggs such as the familiar design of the DARKCOM uniforms that are a nod to Captain Commando and an awesome Mega Man bobble head that was in the DARKCOM vehicle. I also liked how Shakar paid homage to the martial arts action film “The Raid” in episode 4. The voice cast continues to earn their pay in each episode, especially Taylor Scout-Compton who gave Lady much growth development.
The downsides were few but upsetting. I could not understand why DARKCOM’s top scientist was killed off in the third episode and why Lady’s team of bad asses were wiped in the middle of the fourth episode. Those events had me screaming internally trying to figure out what purpose did Shakar believe these actions served. I know each team member would face their demise sooner or later, but Shakar’s actions only serve to waste people’s time in watching DMC. Fortunately, other elements in both episodes negated this small but absolute death sentence for the series. I’m hoping more care and less reckless writing comes in the later episodes.
DMC episodes 3 and 4 were great and retained my interest. As of GI press time, Netflix released a trailer for Season 2 that will drop next year with some major changes and include a battle that DMC’s fans wanted and will get. Rest assured, fellow demon hunters, GI will review these episodes because we’re eagerly awaiting them just as other fans are. Until then, we’ll be keeping it stylish.

Brandon Beatty is editor-at-large of Gaming Insurrection. He can be reached by email at brandonb@gaminginsurrection.com

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Strip Talk #44: Seeing familiar faces in media should be standard

Listen, representation matters.
I don’t know how many times I can stress this in Gaming Insurrection and elsewhere, but it’s a big deal for someone of color to see folks who look like them in media and entertainment. Whether it’s DC or Marvel or big budget action flicks or comedies or romance, I want to see people who look like me doing normal stuff that every other group gets to do.
That brings me to Black Panther. Yes, it’s a comic book flick. But when I tell y’all it was magical to see folks of my hue (one played by a man from my neck of the woods in South Carolina) be geniuses who were changing the world for good. And then along came the sequel, Wakanda Forever, which features more Black folks doing magical things at a genius level and it’s like Christmas came early once again. And even better, the sequel introduced Riri Williams to the MCU. Ms. Williams immediately caught my attention even though I was already intimately familiar with the character through Marvel Puzzle Quest. I was in awe.
Riri Williams, step to the front. Beautiful, Black and gifted, you deserve to be seen as worthy. You, of brilliant mind and dazzling personality, give light and impact everything around you. And I love to see it because in a fictional world of geniuses who figured out how to synthesize an herb and basically cure cancer, created AI systems and quantum realm travel, one of them is a Chicago girl with skin the color of the Earth.
And while I’m here for it all, there are some who are not. “Why does Ironheart have to be Black?” Why not? “Her character is terrible.” Why? And there it is. Whew, the dog whistle keeps getting louder every time I ask why. There are no good reasons for her not to be Black, and all this did was expose the latent racism just simmering underneath. Because call it what it is: Racism and prejudice. You can’t fathom that a woman of color is smart enough to be on the same level as Tony Stark. You can’t understand how and why there’s a show that focuses on a gifted young Black girl and what that would do for other young Black children. It doesn’t affect you directly, so you can’t understand the need and the attention placed on the Disney Plus show or the character in general. And to be honest, we’ve noticed it isn’t just Ms. Williams that gets dismissed.
Welp, that’s all fine and well, but she’s here. And judging by the hype and the deliverables for the show, I’m going to point out that the dismissal and diminishment didn’t work. She’s still dope despite protestations to the contrary. Soldier on, Ms. Williams.

Lyndsey Beatty is editor-in-chief of Gaming Insurrection. She can be reached by email at lyndseyb@gaminginsurrection.com

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Anime Lounge: Tomo-chan is a Girl!

Series: Tomo-chan is a Girl!

Episodes: 1-13

Premise: Junichiro (Jun) Kubota and Tomo Aizawa are childhood best friends who hang out together and walk to and from school every day. Tomo is a tomboy who fell in love with Jun but feels there is no hope of him ever returning her feelings because he regards her as a brother. Slowly, they come to terms with growing up and what it means to find love.

Is it worth watching?: Yes. This is a wonderful romantic comedy like the greats of yore such as KareKano and Lovely Complex. The love story is great and a slow burn that builds at the perfect pace, and the comedy is done well also. We laughed out loud at several points, and the writing was funny and impactful.

Breakout character: Tomo is the best of the bunch. We love the growth and development of her character and watching her mature. There are bumps in the road for her, but it’s handled well.

Where it’s going?: The show ended with the 13th episode so the ride’s over. But it was a nice ride with fun characters.

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Top 5 List: Our Favorite Monsters Edition

Frankenstein & Igor – Castlevania
The gruesome twosome is all over this issue and with good reason: They are one of the earliest hard boss battles in video games. Facing them as the fourth boss in the 1986 classic Castlevania is no easy feat. And chances are it’s not even Frankenstein who will take you out; it’s most likely the imp Igor doing the most damage.

Medusa Head – Castlevania
Like Frank and Igor, Medusa Heads are going to be a pain to deal with. First appearing in stage 4-5 of the game, these tactical nightmares are primarily meant to spell your doom by screwing you over when you attempt to jump caverns. They somehow manage to be worse than the boss Medusa herself. Avoid them at all costs and learn their floating pattern.

Giga Bowser – Super Smash Bros.
Bowser, on his own, is bad enough in most Mario games. But adding in a penchant for getting large and in charge makes him even more dangerous. The worst version of Giga Bowser comes in the form of Super Smash Bros. Melee Event Battle #51, where he teams with Ganondorf and Mewtwo at an impossibly high AI difficulty level. You’re going to be stuck on the battle for a long time without some skills.

Pyramid Head – Silent Hill
Pyramid Head needs no introduction. He has a pyramid on his head and walks around with a large blade ready to kill you at a moment’s notice. The general idea is to avoid him whenever you see him in any of the games, which is sound advice. We once saw a great cosplay of the character at an anime convention many years ago, and we took our own advice.

Mr. X – Resident Evil 2
Mr. X is a Tyrant type who walks around relentlessly trying to kill S.T.A.R.S. characters. How do we know? Because it’s all he ever talks about. Some hapless individual fell victim to Umbrella Corp’s experiments and became programmed to kill Leon Kennedy and his fellow crew members in the escape from Raccoon City. And don’t let anyone tell you differently: The mod created for the PC version of Resident Evil 2 Remake that inserts the DMX song X Gon’ Give it to Ya when he appears is absolutely fire.

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Property Review: Black Panther: Wakanda Forever

Photos courtesy of IMDB.com

New chapters arise from ashes of grief in Wakanda

Grief is a wonderous thing. Despite knowing the stages intimately, we are sometimes still in the throes some days. As it were when Black Panther’s sequel, Wakanda Forever, arrived, we were not in the later part of the journey. Our titular king, Chadwick Boseman, had been lost two years earlier and we were not in the headspace to take on new endeavors. And glimpsing the scenes of white and pomp with trepidation signaled that we were not going to see this any time soon. And we didn’t.
But years passed. We’ve made our peace with the loss of Boseman, and we emerged from the cocoon to witness the aftermath. We were not disappointed.
Wakanda Forever is a most dangerous game. From the opening scenes, chaos is supreme. But the chaos is expected. The sequel had the arduous task of telling the story of the loss of Boseman and his avatar T’Challa and it handles it most gracefully. You know it’s coming and that you need to look away and, yet you can’t look away. The outpouring of grief is so surreal and yet real, raw and visceral. The funeral scenes are so delicate that when it hits you in the face hard with the fact that T’Challa is gone, you’re already numb to the impact. We grieved the character when Boseman passed away because we already knew he would die also, but this hit in different way years later.


That visceral and raw emotion comes to play in several ways later. Queen Ramonda, played by the always exquisite Angela Bassett, shows how to lead a nation with quiet fury and resentment that must be watched to be believed. Shuri, as portrayed by the excellent Letitia Wright, has matured but still waits to step up. However, with the introduction of Namor – handled by the excellent Tenoch Huerta Mejia – Shuri must step up quickly. Shuri obviously is the focus this go around; it’s nice to see the character grow and lead. Danai Gurira is fantastic as Okoye as always, Winston Duke is still a scene stealer as M’Baku, Lupita Nyong’o is exceptional as Nakia and Dominique Thorne is a bright, fun and welcome addition as Riri Williams/Ironheart.
Wakanda Forever, while just as fun as the original, does have some issues. It’s not as good as the first, which is to be expected. There isn’t much that could top the original movie, and while Wakanda Forever tries, it doesn’t quite make the mark. Some of the CGI is not great, and some scenes meander just a little bit too much. And, while it respectfully carries on Boseman’s legacy very well – the opening Marvel logo intro dedication is phenomenal – it overall plays like a sorrowful song of more than two hours that constantly reminds you that T’Challa and Boseman are gone. It’s a bombardment of grief so strong that it makes watching Wakanda Forever more than once an arduous task that we do not want to do.
Wakanda Forever is a good movie. Not a great movie, a good one. And it’s a testament to the prowess of director Ryan Coogler that we could see this movie three years after its release and still feel its impact. We await our return to Wakanda when the grief is not as heavy.

HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Like the comics: 8
Acting: 10
Story: 7
Total: 25/30 or 8.3

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Marvel Character Highlight #42: Dormammu

(All information courtesy of the Marvel Database and Wikipedia)

Name: Dormammu

Alias: The Dread One, Dread Dormammu, Eater of Souls, He-Who-Waits, Lord of Darkness, Lord of Chaos, Lord of the Dark Dimension, Keeper of the Mindless Ones

Affiliation: Hell Lords, Lords of the Splinter Realms, Lords of the Netherworlds

Special abilities: Sorcery over the Flames of the Faltine, banishment, superhuman strength, astral projection, matter transmutations, inter-dimensional teleportation/transportation, high-speed flight, transformation, elemental control, summoning, time travel, invulnerability, size alteration, intangibility, immortality, regenerative healing factor, energy projection, psionics, power bestowal, reality warping, resurrection, super genius intellect, master martial artist

Background: Born of the cosmos as the older twin son of the Faltine being known as Sinifer, Dormammu and his sister Umar gained matter to themselves and created permanent bodies. The twins then caused the death of Sinifer and were exiled. While in exile, they found the Dark Dimension and eventually took it over. Umar eventually went mad after having her daughter Clea (future wife of Dr. Strange), and Dormammu took over as sole ruler of the dimension. He has since tangled with Dr. Strange, the Avengers and Odin of Asgard.

Relationships: Sinifer, parent; Umar, twin sibling; Clea, niece; Donna, niece; Satannish, son; Doyle Dormammu, son; Dr. Stephen Strange, Sorcerer Supreme of Earth, nephew-in-law

First Versus appearance: Marvel vs. Capcom 3: Fate of Two Worlds

Appearances in other media:
Television: Spider-Woman (animated), Spider-Man: The Animated Series, The Super Hero Squad Show, Ultimate Spider-Man, Avengers Assemble, Hulk and the Agents of S.M.A.S.H., Marvel Disk Wars: The Avengers

Film: Doctor Strange: The Sorcerer Supreme (animated), Doctor Strange (live-action)

Video games: Marvel vs. Capcom 3: Fate of Two Worlds, Ultimate Marvel vs. Capcom 3, Marvel Super Hero Squad Online, Marvel: Avengers Alliance (non-playable), Marvel Heroes, LEGO Marvel Super Heroes, LEGO Marvel’s Avengers, Marvel: Future Fight, Marvel Contest of Champions, Marvel vs. Capcom: Infinite, Marvel Powers United VR (non-playable), LEGO Marvel Super Heroes 2, Marvel Ultimate Alliance 3: The Black Order, Marvel Dimension of Heroes, Marvel Future Revolution, Marvel Strike Force

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Top 5 List: Marvel Characters Who Do Too Much Edition

Lucas Bishop (X-Men)
Don’t get us wrong: We love Bishop. We love him for his tenacity and his love for the X-Men ideology. However, when it came to mutant messiah Hope Summers, he did entirely too much and was absolutely obnoxious. We get it, the baby was the cause of shenanigans in his timeline but the running around trying to kill her at every chance was too much. At least we have the X-Men: The Animated Series version to love on still.

Emma Frost (X-Men)
So much can be said about Emma Frost’s obvious thirst for Cyclops, but when you’re a mutant pick-me the less said about you is probably best. First, Cyclops is not a catch. He’s trash personified for his many misdeeds up to and including abandoning the Goblin Queen. Second, if you chase the not-a-flex Cyclops, you’re trash, too. Girl, know your worth.

Mister Sinister (X-Men)
We can sum up Mister Sinister’s place on this list with one word: Obsession. If he’s not obsessed with immortality, he’s obsessed with genetic manipulation. And let’s be real, that genetic manipulation always involves the Summers-Grey bloodline. We really want Mister Sinister – the real Mister Sinister – to go outside and touch grass.

Victor Von Doom (Fantastic Four)
Anyone who creates clone robots of themselves that all believe they are the real thing has some issues and needs something to do. We love Doom but he does entirely too much when it comes to Reed Richards. And blaming everyone for your failures and a lack of accountability is a sure sign that you have a personality disorder.

Deadpool
Apparently, Deadpool has become a thing in the last few years because of some highly successful films but we’re just not seeing it. The breaking of the fourth wall is too much; when we read comics we want to escape into a fantasy, not be reminded that reality is happening for real. The Deadpool schtick is old as it is and Ryan Reynolds has run it into the ground. However, since he gave us Channing Tatum as Gambit, we’ll let some of it slide. But seriously, stop it already.

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Strip Talk #43: Man of Steel looking fragile in tired reboot

Superman isn’t looking, well super. I admit, I’m highly biased. I’m traditionally not a Superman fan. I don’t acknowledge anyone in the big screen role except for Christopher Reeve and Henry Cavill, and I don’t like this push for reboots every time someone new decides to saddle up at Warner Bros. with a cool new take on the character. So, when the newest version was announced from James Gunn and Peter What’s His Name, I immediately soured on it.

And then I saw the teaser trailer.

The new guy, David something or another, does not have the look. He doesn’t inspire me as a potential Superman/Clark Kent. He doesn’t have the presence, and he doesn’t strike me as a dude from Krypton that could take on Lex Luthor or Doomsday or Darkseid. Nothing about him screams rallying point.

The visuals don’t grab me, either. Metropolis looks bland and run of the mill, even with the puppy Krypto introduced. That tracks, though. I don’t expect much from Gunn – Guardians of the Galaxy, as good as it was, was a killer hand that he successfully managed to play three times while Lady Luck stroked the back of his head at the kitty. He was lucky to get away with an engaging cast and folks glomming onto Marvel anything for a minute because otherwise he might have been a Thor: The Dark World footnote.

What it comes down to is, I don’t trust the brain trust here. I don’t like Superman, but I don’t want him to suffer anymore indignities that he doesn’t have to suffer. Let him alone or better yet, they should have kept Cavill and wrote for him. He was ready, willing and able and had the fanbase primed with solid appearances. The surrounding material may have been bad, but he carried entire films on his back as Kent so I’m not understanding why he had to go. I will not let this go so long as we’re trying to shoehorn someone else into that man’s role.

I’m not sure what this David something or another needs to supe up Supes, but he needs something. I’m not impressed with what I’ve seen so far, and what I fear is coming is not going to be engaging enough to change my mind.

Lyndsey Beatty is editor-in-chief of Gaming Insurrection. She can be reached by email at lyndseyb@gaminginsurrection.com

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Property Review: Kill Bill Vol. 2

Photos courtesy of IMDB.com

Kill Bill Vol. 2
Miramax, 2003

A conclusion best served cold

Kill Bill Vol. 2 continues the Bride’s rip-roaring tale of revenge, and it’s a good ride.
In the second volume, the Bride reveals her name – Beatrix Kiddo – and faces off against the final two members of the Deadly Viper Assassination Squad, Elle Driver and Bud, before finally squaring up against the titular Bill himself.

This is a master class of how to conclude a story that spans multiple volumes, and it’s fraught with the tension of how it all is going to end. Will the Bride get the revenge she seeks upon Bill, who shot her in the head four years earlier? Will she find out about her alive and well child? Those questions are answered and, yes, Bill finally makes an appearance and shows us why he’s Snake Charmer, but the journey to get there sort of drags. We loved the two fights – Elle Driver vs. Beatrix and Bill vs. Beatrix – but some of the surrounding material could have been cut. Bill’s background was important but could have been trimmed as could some of the Pai Mei information. But we digress because ultimately it doesn’t kill the vibe of the film.


Particularly, we greatly enjoyed the reveal of Beatrix and Bill’s history and how the Massacre of Two Pines unfolded. It was so well-written that we could sort of empathize with Bill’s sorrow turned to rage when he realized that Beatrix didn’t die in action and was instead heavily pregnant and about to marry someone else that may have been the father of the baby she was obviously carrying.

Bill is the villain here, make no mistake, because there was no need for violence. Hurt people hurt people, but there’s no excuse for his level of hurt killing innocent people and nearly killing Beatrix. But you can see Bill’s level of pain etched in the face of the excellent late David Carradine. And Uma Thurman is fantastic here as Beatrix. The investment in Beatrix’s unfinished business carries over from the first volume and grows right to the moment that she tells Bill that it’s time to fight. Daryl Hannah as Elle, the unhinged new lover of Bill, and Michael Madsen as Bud, Bill’s trifling assassin brother, are also fantastic.
Excellent, tight writing and great acting mark the second volume, and while there could have been a little more editing done, Kill Bill Vol. 2 is a fun conclusion to the Bride’s journey to reclaim all that she lost. The unfinished business is done.

HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Story: 9
Acting: 10
Directing: 7
Total: 26/30 or 8.7

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Otaku Corner: Devil May Cry Anime Ep. 1 & 2

Photo courtesy of IMDB.com

Devil’s in the details with fantastic DMC adaptation

In previous issues of GI, I covered various Devil May Cry games and the manga tie-ins to DMC 3. The Netflix adaptation of DMC is Capcom-approved but created by Castlevania director Adi Shankar. It’s been on my radar for a minute, and I’m pleased to say the first two episodes live up to the DMC reputation.

Episode 1 starts out in Vatican City where a demonic terrorist known as the White Rabbit and his mercenaries are raiding the Vatican Museums in search of the sword known as Force Edge. It was once held by Sparda, a legendary demon who created a barrier between Earth and Hell. When the White Rabbit acquires Force Edge, he kills the mercenaries and makes a worldwide broadcast about dissolving Sparda’s barrier to bring about the apocalypse, allowing demons to rule over humanity.

When word of the attack on Vatican City reaches Washington, the White House obtains the counsel of Dr. Fisher, a demonic expert working with Dark Force Command or DARKCOM, an interdimensional security group funded by affluent individuals led by Vice President William Baines. When Dr. Fisher explains that the White Rabbit is in search of a demon hunter, DARKCOM captures underworld information broker Enzo Ferino who tells DARKCOM agents that the White Rabbit is looking for the demon hunter Dante. During Enzo’s interrogation, Barnes and Dr. Fisher believe that Dante holds half of the amulet needed for Force Edge to remove its barrier. Elsewhere, Plasma, a top henchman of the White Rabbit, finds Dante and uses various forms of people and objects including Dante’s brother Virgil to take Dante’s half of the amulet but is unsuccessful. After the battle, Dante begins to question who would want his amulet and why demons and other unknown players want him.

Episode 2 continues events. DARKCOM agents, ordered by Barnes to supervise multiple teams of hired mercenaries, worked to capture Dante and retrieve his half of the amulet for examination by DARKCOM scientists. During the mission briefing, Mary Arkham, a supervisor to the DARKCOM team overseeing the mercenaries, encounters a demon and eliminates it. After the briefing, Barnes adds Anders, the lone survivor of a previous DARKCOM mission to eliminate White Rabbit, to the team. During the raid on Dante’s office, Barnes forces Enzo to lure Dante out, but Dante realizes Enzo’s scheme and refuses to give up the amulet. While Dante succeeds in escaping the mercenaries’ attack, he faces off against Lady who succeeds in capturing Dante and implants a bomb in his neck but takes Dante’s amulet and captures him and Enzo, taking them to DARKCOM headquarters for questioning.

The animation for Devil May Cry isn’t developed in the usual anime style. Shankar, while negotiating with Capcom and Netflix for streaming rights, sought out Studio Mir of Seoul to provide animation services for the series. Keeping pace with his take of video game animated series known as “The Bootleg Universe,” Shankar and his writing partner Alex Larsen used actual locations such as Vatican City and Washington to bring the level of DMC games action in to attract fans of the series and fans of political action shows. I personally like Shankar and Larsen’s take that they wrote an original concept for the series instead of coping various storylines from DMC’s games. As a DMC fan, I became fully invested in the anime but had to pace myself from binge watching to avoid being distracted from other activities. And as a treat for fans, there are a few Easter Eggs from DMC and other Capcom games such as Captain Commando and Resident Evil.
Capcom had some of its employees involved in production and should be applauded for allowing creative freedom in a long-running series such as this.

The choice of casting for characters was on point with Johnny Yong Bosch taking the role of Dante and Scout Taylor-Compton’s performance as Mary. Kari Wahlgren portraying Dante’s mother Eva was great, and legendary voice actor Kevin Conroy gave an outstanding performance as Barnes in his final performance. I have respect for Shankar for dedicating the first season to Conroy’s memory. Overall, this adaptation from Netflix did an excellent job of bringing a game series like DMC to a new audience without being carbon copied or too short.

Will Dante be able to stop White Rabbit from unleashing hell on Earth? Will DARKCOM uncover the true motives of demons invading the human realm? Who side is Barnes really on? We’re keeping it stylish while binge-watching the next episodes.

Brandon Beatty is editor-at-large of Gaming Insurrection. He can be reached by email at brandonb@gaminginsurrection.com

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